Let's hope that other poets will find their own way out of the crisis, in order to help our poetry regain the glory that distinguished it as its relatively recent past.
The systematic and masterful exploitation of certain elements that remained unexploited, for the most part, in the deposits of Greek homoioteleuton (only a part of its "parahexes" activities has been used more skillfully by Karyotakis and Seferis) is what identifies our current poetic language with the expressive seal, which we mentioned above. Vagenas' personal way is, of course, his own answer to the question of how a poet can overcome the crisis in which free verse finds itself today ("how this could be achieved," Vagenas writes, "is largely an individual matter for each poet, because there are also more objective conditions"). Let's hope that other poets will find their own way out of the crisis, in order to help our poetry regain the glory that distinguished it as its relatively recent past.